Art Work:
The original inspiration for these collages, paintings, and line drawings are my Nordic heritage, a culture deeply
sympathetic to mood. In Norway,
mood is rendered through the built form, layered impressions, the mountains, the fjords, and the
clouds. Mood is communicated also
through the use of indirect and constricted light, a revealing of blurred and muted light
that deepens tones and emphasizes its subjects in a different way. Shadows grow deeper as the light
becomes cooler, and there is a transformation in vegetation and urban settings
as subtle hues express varying shades of darkness. My ability to express variations of Nordic light and texture develops
from my personal experiences with topography, vegetation, and under-explored
urban settings. Quality of light
and form is significant in my work as it conveys mood, often relating my New
England subject matter to my cultural past. As an artist, I constantly search the New England landscape
for similar expressions of mood.
Twilight, abnormal rock formations, clusters of trees branches, rainstorms, swift cloud
accumulations, natural and built juxtapositions, narrow views that constricts
values of light, and rapidly approaching fronts, all serve to connect me to me
Nordic sensibilities.
Photographic Work:
My photographic work involves
capturing crisp colorful forms and patterns, along with unusual and oblique
angles and perspectives to bring attention to architectural and cultural
scenes. Layered views are also
critical; to construct a narrative or hint of mystery with regard to juxtaposed
forms. For the most part these
works are stand-alone images, and at times they are reference photos of
inspiration, contemplation, and amusement.
Architectural Work:
Outside of the classroom, design
work has been the focus of my career, relying on kitchen and room renovations,
deck designs, exterior renovations, as well as full-service house
construction. I have found it
important to ground my teaching in design work, in order to provide students
with current trends and ideas in construction, material use, and
representation.
Biography:
In 2007, Rob was awarded a Fulbright Scholarship to travel to Poland and Russia, where he studied the art and design education systems of both countries. Most recently, in 2014, Rob completed his PhD with Tilburg University (in association with the Taos Institute). His dissertation is titled: "Authenticity and Architecture: Representation and Reconstruction in Context". This work initially began with coursework at the Institute for Doctoral Studies in the Visual Arts (IDSVA).
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Education:
- Ph.D, 2014, Tilburg University (with the Taos Institute), Tilburg, the Netherlands
- Ph.D. Coursework, Institute for
Doctoral Studies in the Visual Arts, Portland, ME
- M.A., 2003, Architectural Association, Architectural History/Theory, London, UK
- B.Arch., 1997, Boston Architectural
Center, Boston, MA, US
- B.F.A., 1992, Massachusetts College
of Art, Boston, MA, US
Teaching Experience:
- Faculty Professor, 2014-Present, Boston Architectural College, Boston, MA
- Adjunct Professor, 2013-Present, Endicott College, Beverly, MA
- Assistant Professor, 2005-2013,
Endicott College, Beverly, MA (tenured 2008-2014)
- Extended Adjunct Faculty,
2003-2005, Endicott College, Beverly, MA
- Adjunct Faculty, 2004-2005, Mount
Ida College, Newton, MA
- Visiting Lecturer, 2004-2005, Salem
State College, Salem, MA
- Adjunct Faculty, 2004, Montserrat
College of Art, Beverly, MA
- Adjunct Faculty, 2003, Quincy
College, Quincy, MA
- Adjunct Faculty, 2003, Wentworth
Institute of Technology, Boston, MA
- Lecturer/Faculty, 2003, Boston
Center for Adult Education, Boston, MA
- Thesis Advisor, 2001-2005, Boston
Architectural Center, Boston, MA
- Coordinator Of Thesis, 1999-2001,
Boston Architectural Center, Boston, MA
- Faculty, 1998-2005, Boston
Architectural Center, Boston, MA
- Teaching Assistant, 1998-2001,
Boston Architectural Center, Boston, MA
- Art Instructor, 1994, Greater
Boston Aid to the Blind, West Roxbury, MA
- Woodshop Instructor, 1993, Greater
Boston Aid to the Blind, West Roxbury, MA
Architectural Experience:
- Private Design Practice, Owner/Designer, 1992-Present. Projects included: McCarthy Residence, Citicorp Information Services, and MASCO Lansdowne Garage.
- Private Historic Preservation Consulting, Owner/Researcher, 1998-Present. Projects included: Ashdown House (MIT) and Arlington Street Church.
- Historic American Building Survey, Architectural Technician, 1998. Projects included: Katherine Graham Residence, Halcyon House, Dumbarton House, Tudor Place, Heinz/Kerry Townhouse, and J. Carter Brown Residence.
- Angelo Kyriakides Architects, Architectural Designer/Model Builder, 1997.
- Powers and Company, Inc., Architectural Designer, 1993-1998.
- Powers and Company, Inc., Architectural Intern, 1990-1992.
- Design Guild, Architectural Intern, 1988.
- Architectural Access Board, Volunteer Inspector, 1987-1988.
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